Download After Effects @ Work: DV Expert Series by Richard Harrington PDF

By Richard Harrington

Real-World advertisement initiatives awarded in complete colour function the paintings of popular artists, Chris and Trish Meyer, Jayse Hansen, Mark Coleran, Ken Locsmandi and others. The tutorials are advertisement initiatives that the artists created for a shopper funds of $10,000 or much less, utilizing basically the plug-ins that include the software program. certain concentration is given to the basic strategies which are vital to amateur movement photo artists. The significant other DVD comprises the resource documents required for the reader to duplicate the innovations in addition to Apple QuickTime displays of the ultimate tasks. The tasks conceal a variety of useful functions together with broadcast animation, big-screen movie trailers, tune video compositing, trade exhibition displays, DVD menu images, and cel animation with Flash. * Real-World tasks from 11 movement portraits execs * discover ways to harness After results' robust toolset * better half DVD contains all resource documents so that you can re-create the initiatives

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Extra resources for After Effects @ Work: DV Expert Series

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Extra dust or smudges on the lens won’t help you here. More useful than the camera will be your tripod. The movement in the textures will usually come from moving the lights or objects, not the camera. This is where the field monitor will come in handy. By being able to see your results, you can make variations in the speed and type of movement. Your best results will often come from macro shots, or extreme close-ups. Camera movement will be too jarring when tightly focused. ) 05 » 36 Light the Way You’re about to spend some time in the dark.

BE SURE TO EXPERIMENT. 6. To create the soft bloom, add an Adjustment Layer. Apply the Gaussian Blur effect and adjust the layer’s blending mode and opacity settings. 7. Solo your bottommost layer for easy viewing. For greater visual impact, I recommend boosting the intensity of your bottom layer. You can do this through a Levels adjustment. ) Make the Loop 1. Now it’s time to create the loop. Highlight all of your footage layers. Create a precomposition by choosing Layer>Precompose or pressing Shift+Cmd+C (Shift+Ctrl+C).

LOOP IT :: THE SET Let’s save some time by looping our animation. It’s time to finish off this set for our next shot. 1. To make a seamless loop, select both scenery layers, pre-com- 1. In After Effects, create a new composition named Shot 5. pose them and open the resulting comp. 2 In the Composition Settings adjust the duration of the comp so that it ends one frame earlier than the last-position keyframe on the parent layer. 3. Return to Shot 2 and click RAM Preview. There’s one last issue.

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